"I just want to pour my soul out on someone and not have to worry about the mess I’ve made."
Andrea Slicker (via mercurieux)
Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook, not
the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication, not
the lover you left quivering in a hotel parking lot,
the one you beat to the punch line, the door or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don’t regret those.
Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
Emptied of expectation.
Relax. Don’t bother remembering any of it. Let’s stop here,
under the lit sign on the corner, and watch all the people walk by.
Haruki Murakami (via writingquotes)
The Waves, Virginia Woolf.
K. David Harrison, from "The Last Speakers: The Quest to Save the World’s Most Endangered Languages" (via weissewiese)
“If a clock could count down to the moment you meet your soul mate, would you want to know?”
I watch my friend carefully. Her excitement is glowing all over her pretty face. Exactly 2 minutes left, she tells me. We’re waiting at the bus stop and the bus is coming in two minutes. I think she hoped she’d meet them on a beach at sunset or something.
”I mean that’s ok - these things can’t always be romantic I mean my mum met dad when he was working at the book store and it’s not like you can plan it to be romantic I just hoped, I mean everyone hopes don’t they-” she breaks off, looking at me awkwardly. “Sorry. It’s just a big day for me you know.” Yes I do know. You’ve been going on about it for the past year. I smile at her.
”Don’t worry. You nervous? You’ll be ok, you always are,” I grin, determined not to ruin this for her. It’s selfish of me to be moody. This is her future being determined. Right here. In now, precisely 1 minute 30 seconds.
She smiles at me, but it isn’t quite reaching her eyes. She’s restless and keeps tapping her foot. Her eyes are wide with.. fear? Excitement? Nerves? Probably all of them and a thousand more things I can’t imagine. She keeps checking her wrist. So do I. The bus comes around the corner. 1 minute 10 seconds.
”Hey. I’ll leave you alone now ok? The bus is here. I’ll sit a couple of seats away, and be there if you need me,” I say, squeezing her arm reassuringly. “Good luck.” I hope it sounded sincere.
The bus pulls up and I climb on first, taking a quick glance at her while I give the driver my ticket. She’s shaking and looks a little green. I want to give her a hug but know I shouldn’t interrupt now. I look at the passengers and it’s full of pensioners. My heart starts beating frantically. What? I can’t see anyone else at the bus stop. But she’s only 18, she can’t end up with a 80 year old.
I turn around and look at her - she’s breathing hard. The bus driver asks if she’s ok but she ignores him. Her eyebrows are creased and her face is flushed. Oh. Oh no. Stay calm. Someone is probably late. I give her a thumbs up and try to smile reassuringly. I think it’s more of a grimace.
I take a seat near the back. Look at my watch. 25 seconds. She sits down a few seats away.
Suddenly a dark shape runs past my window and a boy jumps on the bus. He has that same frantic look in his eyes. I breathe out with relief.
”Yeah get on, we’re running late,” the driver says, taking his ticket. The boy looks around, carefully stepping towards the seats. He’s tall and handsome, holding a sketchbook. I smile slightly; my friend hates art.
He spots her.
His eyes widen as he walks closer, as if being pulled by an invisible rope.
My friend stands up too, that same rope tying her to him.
1 second -
”I was worried the bus would leave. No way could I miss meeting my soul mate!” he jokes, though he looks just as nervous as she. They smile at each other as they both sit down together. I can’t hear what they’re talking about.
I take a deep breath and let it out slowly. Suddenly I’m crying. Hot tears dropping down my cheeks.
I look at my wrist, scratching at it. Trying to get rid of it.
The numbers have never changed.
They’ve always been at 0.
My older brother received a call at two pm on a Thursday,
That his roommate from college
And best friend from high school;
Overdosed and died,
Last Wednesday night.
My brother is 25 years old.
He missed three days of work, sat at home in the dark,
And cried for the first time in six months.
This is not poetry.
My father is very, very sick.
He sleeps for seven hours,
To build up a half hour of strength,
Just so he can pick me up from school.
He hasn’t been well in over a year.
He prays every night, “Thank you God, for making this happen to me, and not my children.”
I am swallowed in fear,
That soon enough, he will go to bed,
And never wake up.
This is not poetry.
There are thousands of people,
just to have one more day,
In hopes that it will get better.
You people glorify sadness,
and long for your death,
because apparently life,
is just too much of a burden.
Wake up, your ignorance is sickening.
Your life is thousands of times more beautiful,
Than your death will be.
There were so many things I wanted to tell you.
I wished to have things that I wanted to tell you.
What a thing, to be with you and have
no words for it. What a thing,
to be outcast like that.
— Mary Szybist, from “Long after the Desert and Donkey,” Incarnadine: Poems (Graywolf Press, 2013)
What is meant by “reality”? It would seem to be something very erratic, very undependable—now to be found in a dusty road, now in a scrap of newspaper in the street, now a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech—and then there it is again in an omnibus in the uproar of Piccadilly. Sometimes, too, it seems to dwell in shapes too far away for us to discern what their nature is. But whatever it touches, it fixes and makes permanent. That is what remains over when the skin of the day has been cast into the hedge; that is what is left of past time and of our loves and hates.
― Virginia Woolf, A Room of One’s Own. Martino Fine Books, 2012
Tahereh Mafi, Shatter Me (via quotes-shape-us)